In “Fading Colors,” I handled editing, color grading, and VFX touch-ups. I took over from another editor who had to step away, performing multiple remote passes with director Jay Bell to achieve the perfect cut. I then carried out visual touch-ups, including the removal of license plates and reflections of the crew. Several remote color grading passes followed, completing the project. I thoroughly enjoyed working with Jay and am eager to see the film’s success.