For the feature film Leben, I worked as the editor, colorist, and VFX artist. Out of all the projects I've worked on, this one was the most complex due to its length and the extensive VFX work required. Examples of the work included object freezing, greenscreen, logo and wall cleanup, which can be seen above. In total, there were over 150 shots that required VFX cleanup, which taught me valuable lessons in patience and time management.